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News movies & tv series 24 November 2020, 14:47

author: Karol Laska

New Shots From The Witcher Set; Geralt and Nilfgaardians Return

The work on the set of the second season of Netflix's The Witcher is in full swing, and the Internet is flooded with a ton of behind-the-scenes photos. The latest of them show Geralt in a hood, the muddy set or Nilfgaardian knights in their new armor.

Netflix resumed work on the 2nd season of The Witcher rather quickly - this happened a few days ago and we informed you about it promptly. During the last week we managed to collect a lot of materials from the plan - this is mainly thanks to Sara Talib, a collaborator of a fan website dedicated to The Witcher, Redanian Intelligence. There are so many behind-the-scenes photos that we won't be able to present them all here - all the more so because some of them are not of the best quality and present characters from a very long distance, which makes them the size of ants. Nevertheless, the photographer managed to catch Henry Cavill in Geralt;s costume, Anya Chalotra as Yennefer, as well as some other characters. The crew is currently based in Surrey County, England.

New Shots From The Witcher Set; Geralt and Nilfgaardians Return - picture #1
Geralt has returned, but with a hood. Source: Sara Talib
New Shots From The Witcher Set; Geralt and Nilfgaardians Return - picture #2
Henry Cavill (Geralt) and Royce Pierreson (Istredd). Source: Sara Talib
New Shots From The Witcher Set; Geralt and Nilfgaardians Return - picture #3
We just wanted to show you Cavill eating. Source: Sara Talib
New Shots From The Witcher Set; Geralt and Nilfgaardians Return - picture #4
Anya Chalotra (Yennefer) and Eamon Farren (Cahir). Source: Sara Talib
New Shots From The Witcher Set; Geralt and Nilfgaardians Return - picture #5
The Nilfgaard armors will look really great in season 2. Source: Sara Talib
New Shots From The Witcher Set; Geralt and Nilfgaardians Return - picture #6
If this isn't a Slavic shot, I don't know what its. Source: Sara Talib

Karol Laska

Karol Laska

His adventure with journalism began with a personal blog, the name of which is no longer worth quoting. Then he interpreted Iranian dramas and the Joker, writing for cinematography journal, which, sadly, no longer exists. His writing credentials include a degree in film studies, but his thesis was strictly devoted to video games. He has been writing for Gamepressure since March 2020, first writing a lot about movies, then in the newsroom, and eventually, he became a specialist in everything. He currently edits and writes articles and features. A long-time enthusiast of the most bizarre indie games and arthouse cinema. He idolizes surrealism and postmodernism. He appreciates the power of absurdity. Which is probably why he also tried soccer refereeing for 2 years (with so-so results). He tends to over-philosophize, so watch out.

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