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News movies & tv series 14 July 2020, 16:04

author: Karol Laska

Oliver Stone Criticizes Hollywood

In one of his recent interviews, acclaimed American director Oliver Stone sharply criticizes the political correctness of Hollywood, strongly linked to the social changes taking place in the world.

Stone didn't mince his words.

Oliver Stone is a filmmaker who has always made strong references to politics. His films have accurately depicted American sociological paradoxes, and each production has done so in a different way. JFK is a historical crime story focused on the mystery of Kennedy's death, Platoon is a war story about the fight against himself, and Natural Born Killers is a criticism of the Western media mentality.

New York Times Magazine conducted a very factual interview with the director, in which several strong words were said about the contemporary film industry - especially in Hollywood. The issue of coronavirus's influence on the industry was also raised:

"It’s just so expensive — the marketing. Everything has become too fragile, too sensitive. Hollywood now — you can’t make a film without a Covid adviser. You can’t make a film without a sensitivity counselor. It’s ridiculous."

The American Film Academy and its unstable views that affect the final shape of the Oscar Gala have also taken flak:

"The Academy changes its mind every five, 10, two months about what it’s trying to keep up with. It’s politically correct [expletive], and it’s not a world I’m anxious to run out into. I’ve never seen it quite mad like this. It’s like an “Alice in Wonderland” tea party."

The conversation wasn't limited to words of criticism, because Stone also announced work on his new films. These will be documentaries - one of them will return to the character of John F. Kennedy, and the other will deal with the important topic of renewable energy sources.

Karol Laska

Karol Laska

His adventure with journalism began with a personal blog, the name of which is no longer worth quoting. Then he interpreted Iranian dramas and the Joker, writing for cinematography journal, which, sadly, no longer exists. His writing credentials include a degree in film studies, but his thesis was strictly devoted to video games. He has been writing for Gamepressure since March 2020, first writing a lot about movies, then in the newsroom, and eventually, he became a specialist in everything. He currently edits and writes articles and features. A long-time enthusiast of the most bizarre indie games and arthouse cinema. He idolizes surrealism and postmodernism. He appreciates the power of absurdity. Which is probably why he also tried soccer refereeing for 2 years (with so-so results). He tends to over-philosophize, so watch out.

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